Mulliner Nights

Quel est le sujet du livre "Mulliner Nights"

A Mulliner collectionA private detective who can make the guilty confess simply by smiling at them. An artist so intimidated by his morally impeccable cat that he feels compelled to wear formal attire at dinner. A devotee of Proust whose life is turned upside down when he inadvertently subscribes to a correspondence course on How to Acquire Complete Self-Confidence and an Iron Will.

These are just a few of the many members of the eccentric Mulliner clan whose lives and exploits are laid before the regulars of the Angler's Rest by that doyen of raconteurs, Mr Mulliner, in a series of hilarious and beautifully turned short stories where lunacy and comic exuberance reign supreme.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.

An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.

Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).